NAMM: Nashville Summer Session ’96

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Hamsters, The

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Nicklebag Stevie Salas.

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Salas, Stevie

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Stevens, T.M.

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Kiss, Bob Kulick

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Kulick, Bob

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Dunnery, Francis

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Little Red Riding Hood

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King Crimson: Technik

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Della Penna, Erik

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Petruzzelli, Jack

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Dog Eat Dog:: ‘Rise Above’

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Ibanez JEM 10TH, E-Gitarre

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Jim Harley Rocky RK 50, E-Gitarre

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Guild DV52-NT, Akustikgitarre

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Yamaha DW 5S, Akustikgitarre

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Furch JBBV-41, E/A-Bass

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Le Fay Carlsson, Fünfsaiter-E-Bässe

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Ibanez TR 500 VB, E-Bass

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Hughes & Kettner Attax 50, Gitarren-Combo

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Hughes & Kettner Attax 80, Gitarren-Combo

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Ibanez IBZ510C, Gitarren-Combo

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Groove Tubes Trio, Gitarren-Preamp

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SAD 2/12EM, Bass-Box

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Marshall BassState B65, Bass-Combo

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Prescription Overdriver/Yardbox

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Alesis NanoVerb, Multieffekt

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Fulltone Deja Vibe/Supa-Trem

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Entstöpselt – Gahlen

Jetzt stimmt's!

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Theorie & Praxis – Haunschild

Universal-Voicings (3): Die Melodisch-Moll-Gruppe

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Bass Styles – Lonardoni

Harmonics (1)

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Fußpedale: How To Get The Sound Of

David Gilmour

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Transkriptionen

Henderson, Scott: Dense Dance

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Bass Basics – Hulst

Bass & Drums

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Transkriptionen

Dog Eat Dog: Rise Above

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Michael Sagmeister

Moll-Blues-Improvisationskonzepte

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Notenlesen & Blattspiel – Röver

Lagenspiel (4) oder: Die b-Tonarten, ein neuer Fingersatz & F-Dur

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